When “The Rite of Spring” premiered in Paris in 1913, the uproar of the audience made history. What will the Stravinsky composition make you do? Find out with the Alabama Symphony Orchestra, January 18 and 19, 7PM, at UAB’s Alys Stephens Center. Also on the bill: five Birmingham choirs join the ASO players to deliver “Carmina Burana” with mammoth force.

The ASO is proud of the Alabama Symphony Youth Orchestra members who made the 2019 All State Orchestra. They perform on Sunday, February 10, in Auburn.

The Alabama Symphony Orchestra will present two powerful 20th-century masterpieces in one special concert.

It’s a holiday spectacular brimming with the spirit of the season. Check out Bham Now’s five top reasons to get tickets to Home for the Holidays. The performance, which is part of the Alabama Symphony Orchestra’s Red Diamond SuperPOPS series, takes place Friday, December 7, at 7 p.m. at the Samford University Wright Center. Tickets range from $27 to $62.

A decade ago, the Alabama Symphony Orchestra and its support group, Sound Investment, began a fruitful coalition that has produced annual composer residencies in this Southern city. Three works by Paul Lansky, two of them ASO commissions, were premiered, and in 2009-10, Lansky, the Princeton-based composer whose music previously centered on electronic and computer music, became ASO’s first composer-in-residence. Since then, the Sound Investment program has worked to ensure that premieres, commissions, and composers are embedded in each season.

Every year, the Alabama Symphony Orchestra features an up-and-coming composer and commissions a work. This season, that composer is Alabama native Martin Kennedy. Thursday night, the orchestra gives the world premiere of Kennedy’s Forest Dark and Stars Above. Kennedy spoke with WBHM’s Michael Krall about his approach to composing. Their conversation began with Kennedy describing the piece and features some of Kennedy’s other music.

Although Vai has also been cast in some of rock's most desirable real-life roles during his career - including wingman for legends ranging from David Lee Roth to Frank Zappa - he's the kind of iconoclast who could never be musically typecast. Emerging during an era crowded with guitar hot-shots, Vai's prismatic virtuosity and sonic wanderlust made him unique and marquee. His playing can evoke a rhapsody, wild animal or surrealistic painting. Or just some molten rock 'n' roll.

The Alabama Symphony has almost always met or surpassed expectations with high-level performances at its opening Masterworks concerts. Friday was no exception.

Gripping tangos, modern soundscapes, a new composition by Alabama native Martin Kennedy—and Steve Vai? One of the great guitarists of all time? You bet. Alabama Symphony Orchestra’s annual Sound Edge Festival expands the definition of a night at the symphony to our surprise and delight.

Do you have your tickets yet to hear the Alabama Symphony Orchestra perform Opening Masterworks: Don Juan & Concerto for Orchestra? Bham Now has five reasons why you should. Get those tickets and mark your calendar. Performances happen Friday and Saturday, Oct. 19 and 20, at 7 p.m. at the Alys Stephens Center in Birmingham.